The texture of the painting mainly focuses on senses such as sight and touch. From smooth surfaces to rough and jagged objects, dali intensifies the visual experience to create an imaginary sense of touch. The blue platform appears to have a smooth reflective surface, with a rough wooden underside. The tree in front of it has a course exterior with deteriorating bark. The clock on it's weak branch has a flexible but noodle like appearance. The large brown object with the other two clocks on top looks smooth and almost wooden. The pocket watch with the ants on it looks smooth and shiny, but still covered in small black ants. The gold pocket watch looks melted and squishy.
The colors are not vivid or bright, but more saturated and dark. Dali uses shadow and color together to create a different experience. The colors in The persistence of Memory are primarily warm including a lot of yellow, gold, black, and brown (Warm Colors). The browns on the cube and the scenery range from light to dark. The mountains are a shade of yellow, along with a lot of what the sun touches in the painting. The watches are gold, silver, and bronze and have a shine to them because of the color and shading. There are also cool colors in this piece including blue, white, and silver (The meaning of Color). The faces of the clocks, tree, the fly's shadow, the sky and water are all a blue tint, working with the warm colors to balance the painting.
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There are noticeable figures and shapes, and unidentifiable ones throughout the painting. The student blue platform in the far corner is a solid three dimensional rectangle, as is the large brown cube in front. In these objects the lines are straight and solid, and although the object is not identifiable, the geometric shapes are (Jirousek). The way that the clocks are melting adds a sense of movement and flimsiness. The mountains are recognizable shapes, along with the body of water surrounding them.
The tree is easily identified, as are ants and the fly. The white figure is almost cubist, missing parts and anatomical structures, somewhat resembling a picasso or Braque painting. It still contains human qualities, like the eyelashes and the nose but lacks a solid form. Many of the objects in this painting interact with others, either resting on or touching. The clocks are an example of this because they almost mold to whatever object they come into contact with. This painting is three dimensional, geometric, and abstract, and does not stick to all traditional shapes or forms (Jirousek). The color scheme along with the shading work resume to bring the painting to life.
Thick values highlight details and color, giving a three dimensional illusion to this piece. On the tree, the values are implied to create the illusion of bark, while the limp clock it is holding on its branch uses value to create a tarnished and three dimensional effect. The brown object also uses shading to get this effect. The watches on the brown cube have detailed shading on and around them, and use color to shade and give a shiny effect. The melting one uses a great deal of color on the face, while the watch with the ants draws attention to the insects covering.
The ground is primarily solid brown, with vivid black shadows overpowering the landscape. This stresses the amount of sunlight that is shown in the landscape, reflecting off of other interacting objects. The mountains use a combination of light and darkness mixed with color rather than only black to create this style. Some of the ridges on the mountains are shaded with black, along with other parts of the painting such as the white figure and the brown cube where the two pocket watches are placed. The ants are all black, and have very little shading, while the fly on the other watch only has a blue shadow of a human figure. The white figure has shading throughout its entire body. There is heavy shading on his head, nose eyelashes, and where its body touches the ground. This painting contains a variety of shapes and forms that add to the uniqueness of its style.
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He also makes everything detailed down to the mom very last ant on the bronze watch. The lines that make up the watches are so detailed that they even show each number on the faces. The use of lines also improve the realistic look of the reflection of the mountains in the water. The lines on the platform and brown gpa object are straight and symmetric. He does not leave many visible sketch marks in this painting, so it is not clear or easy to distinguish his lines from shading. The lines that he does show usually complement the dark shadows of his surrealist landscape. The values and shading in this painting are very drawn out and detailed. The shadows in Dali's Persistence of Memory are the heart and soul of the piece, creating a universe that has never been seen before.
Its nose is flared and has another small brown object coming out of the right nostril. The white figure has no limbs or other human-like characteristics. The rest of the scenery around the white figure is dark and barren. The persistence of Memory uses the basic elements of art including a plethora of lines, values, shapes, form, colors, and texture (Glatstein). The lines that Dali uses in the painting vary on the shape which he is working with. Most of the painting contains lines that are relatively thin person and similar in width, with the exception of the mountains, and the eyelashes of the white figure. The lines on the mountains are noticeable, and give them a rough realistic approach. On the white figure dali uses different lengths and widths to create individuality in each lash.
The fly is also casting a very small shadow, which is shaped more like a human. The other pocket watch is bronze and shut. The exterior of the pocket watch is covered with a swarm of black ants. Unlike the other clocks, this is shut, and the only one that is not warped or melted of the four. The ground in The persistence of Memory is a dark brown that almost turns black in certain areas. On it lies a white figure on its right side with another silver-colored melting clock on its back. The white figure is human-like, with over emphasized large eyelashes. It has a what looks to be a trade mark salvador Dali moustache and lips where eyebrows would be on a human face.
In front of the mountains there is lone pebble. On the left close to the water, dali places a reflective, blue, elevated, rectangular platform with dark brown trimming around shakespeare the edges. Placed in front of this platform, there is another single pebble. A lifeless tree with a hollow top, is in front of it, missing all of its leaves and branches but one. The single branch holds a silver pocket watch which appears to be melting on the end of the branch showing the numbers three through nine. Only one hand of the watch is shown, pointing at the. The tree is located on top of a light brown square object that looks desk-like. The brown object takes over the bottom left corner of the painting, and even goes off the canvas. On this object there are two more pocket watches residing.
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Print, reference this, published: 23rd March, 2015 7th may, 2018. The persistence of Memory is a surreal landscape created in 1931 by the famous Spanish artist, salvador Dali. This oil painting measures 9 1/2 x 13 inches,.1 x 33 cm and is on display at the museum of Modern Art in New York (moma). It has been displayed in galleries report worldwide and is a symbol of Dali's work. The persistence of Memory contains a light blue horizon, which slowly fades downward from blue to yellow across the top quarter of the painting. Under the skyline sits a body of water, or what looks to be a large lake or a reflecting pool. The body of water traces the skyline until it interacts with neighboring mountains to the right.