"We didn't create new hippie situations." he further assured that he and his brother Ethan had never met McCarthy when they were writing the script, but first met him during the shooting of the film. He believed that the author liked the film, while his brother Ethan said, "he didn't yell. We were actually sitting in a movie theater/screening room with him when he saw. And I heard him chuckle a couple of times, so i took that as a seal of approval, i don't know, maybe presumptuously." 30 Title edit The title is taken from the opening line of 20th-century Irish poet William Butler yeats ' poem " sailing. The young In one another's arms, birds in the trees Those dying generations at their song, The salmon-falls, the mackerel-crowded seas, fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies. Caught in that sensual music all neglect Monuments of unageing intellect Richard Gilmore relates the yeats poem to the coens' film. "The lament that can be heard in these lines he says, "is for no longer belonging to the country of the young. It is also a lament for the way the young neglect the wisdom of the past and, presumably, of the old.
Peter Travers of Rolling Stone praised the novel adaptation. "Not since robert Altman merged with the short stories of raymond Carver in Short Cuts have filmmakers and author fused with such devastating impact as the coens and McCarthy. Good and evil are tackled with a rigorous fix on the complexity involved." 20 Director joel coen justified his interest in the McCarthy novel. "There's something about it there were echoes of it in no country for Old Men that were quite interesting for us he said, "because it was the idea of the physical work that somebody does that helps reveal who they are and is part. Because you only saw this person wood in this movie making things and doing things in order to survive and to make this journey, and the fact that you were thrown back on that, as opposed to any dialogue, was interesting." coen stated that. He further explained why they chose the novel: "Why not start with Cormac? Why not start with the best?" he further described this McCarthy book in particular as "unlike his other novels. It is much pulpier." coen stated that they have not changed much in the adaptation. "It really is just compression he said.
Miller's Crossing was a sly, unacknowledged blend of two dashiell Hammett 's tales, red Harvest and The Glass key ; and o brother Where Art Thou? Transferred The Odyssey of Homer to the American south in the 1930s. But no country for Old Men is their first film taken, pretty straightforwardly, from a contemporary prime American novel." 27 The writing is also notable for its minimal use of dialogue. Josh Brolin discussed his initial nervousness with having so little dialogue to work with: I mean it was a fear, for sure, because dialogue, that's what you kind of rest upon as an actor, you know? Drama and all the stuff is all dialogue motivated. You have to figure out different ways to convey ideas. You don't want to overcompensate because the fear is that you're going to be boring if nothing's going. You start doing this and this and taking off your hat and putting it on again or some bullshit that doesn't need to be there. So yeah, i was a little afraid of that in the beginning.
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We liked the fact that the bad guys never really meet the good guys, that McCarthy did not follow through on formula expectations." 22 23 Ethan coen explained that the "pitiless quality" was a "hallmark of the book, which has an unforgiving landscape and characters. 24 Writing edit The coens' script was mostly faithful to the source material. On their writing process, Ethan said, "One of us types into the computer while the other holds the spine of the book open flat." 19 Still, they pruned where necessary. 22 A teenage runaway who appeared late in the book and some backstory related to bell were both removed. 25 Also changed old from the original was Carla jean Moss's reaction when finally faced with the imposing figure of Chigurh.
As explained by kelly macdonald, "the ending of the book is different. She reacts more in the way i react. She kind of falls apart. In the film she's been through so much and she can't lose any more. It's just she's got this quiet acceptance." 26 In the book, there is also some attention paid to the daughter, deborah, whom the bells lost and who haunts the protagonist in his thoughts. Richard Corliss of Time stated that "the coen brothers have adapted literary works before.
Chigurh hides behind the door. Bell enters Moss's room and sees that the vent has been removed. Later, bell visits his uncle Ellis, an ex-lawman, and tells him he plans to retire because he feels "over-matched". Ellis clarifies that the region has always been violent. Weeks later Carla jean returns from her mother's funeral to find Chigurh waiting in her bedroom. She refuses his offer of a coin toss for her life, stating that the choice is entirely his own.
Chigurh leaves the house and checks the soles of his boots. As he drives away through the neighborhood, a car crashes into his at an intersection and Chigurh is injured. He bribes two young witnesses for their silence, and flees. Now retired, bell shares two dreams with his wife. In the first, he lost some money his father had given him. In the other, he and his father were riding through a snowy mountain pass; his father had gone ahead to make a fire in the darkness and wait for Bell. Production edit Producer Scott Rudin bought the film rights to McCarthy's novel and suggested an adaptation to the coen brothers, who at the time were attempting to adapt the novel to the White sea by james Dickey. 22 by august 2005, the coens agreed to write and direct the film, having identified with how it provided a sense of place and also how it played with genre conventions. Joel coen said that the book's unconventional approach "was familiar, congenial to us; we're naturally attracted to subverting genre.
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Moss retrieves the case from the bank of the rio grande and arranges to meet Carla jean at a motel in El Paso, where he plans to give her the money and hide her from danger. Carla jean is approached by Sheriff Bell, who promises to protect Moss. Carla jean's mother unwittingly reveals Moss's location to a group of Mexicans who had been tailing them. Bell reaches the motel rendezvous at El Paso, only to hear gunshots and spot a pickup truck speeding from the motel. As Bell enters the parking lot, william he sees Moss lying dead. When Carla jean arrives, she chokes up upon seeing her husband's dead body. That night, bell returns to the crime scene and finds the lock blown out.
Their firefight spills onto the streets, killing a civilian, and both are wounded. Moss flees to mexico, stashing the case of money in weeds along the rio grande. Severely injured, he offers money to some musicians, who take him to a hospital. Carson Wells, another hired operative, fails to persuade essay moss to accept protection in return for the money. Chigurh cleans and stitches his own wounds with stolen supplies and sneaks up on Wells at his hotel. After Wells unsuccessfully attempts to barter for his life, chigurh kills him in his hotel room. Moss telephones the room and Chigurh answers. Chigurh tells Moss that he will kill Carla jean unless Moss gives up the money; he remarks that he will kill Moss regardless.
rio, where he hides the case in the air conditioning duct of his room. Chigurh, hired to recover the money, kills his employers after obtaining a clue to moss's identity. Arriving to search Moss's home, he uses his bolt pistol to blow the lock out of the door. Investigating the break in, Sheriff Tom Bell notices the blown-out lock. Using a tracking device hidden with the money, chigurh goes to moss's motel and kills a group of Mexicans who are preparing to ambush Moss in his room. Moss has rented a second room adjacent to the mexicans' room with access to the duct where the money is hidden. He retrieves the briefcase just before Chigurh opens the duct and finds it empty. While staying at a hotel in Eagle pass, moss discovers the tracking device, but Chigurh has already found him.
9 More critics included no country for Old Men on their 2007 top ten lists than any other film, 10 and interests many regard it as the coen brothers' best film, as well as one of the best films of the 2000s. The guardian 's John Patterson wrote: "the coens' technical abilities, and their feel for a landscape-based Western classicism reminiscent of Anthony mann and Sam Peckinpah, are matched by few living directors 19 and Peter Travers of Rolling Stone said that it is "a new career. 20 In 2016, it was voted the 10th best film of the 21st century as picked by 177 film critics from around the world. 21 Contents In Texas, 1980, hitman Anton Chigurh strangles a deputy sheriff to escape custody and uses a captive bolt pistol to kill a driver and steal his car. He spares the life of a gas station owner after the owner accepts a challenge and successfully guesses the result of Chigurh's coin flip. Hunting pronghorns in the desert, Llewelyn Moss comes across the aftermath of a drug deal gone awry. He finds several dead men and dogs, a wounded Mexican begging for water, and two million dollars in a briefcase. He takes the money and returns home.
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No country for Old Men is a 2007 American neo-western neo-noir thriller film written and directed by, joel and Ethan coen, based on, cormac McCarthy 's 2005 novel of the same name. A cat and mouse thriller starring, tommy lee jones, javier Bardem, and, josh Brolin, it follows a texas welder and vietnam veteran in the desert landscape of 1980. 3, the film revisits the themes of fate, conscience, and circumstance that the coen brothers had explored in the films. Blood Simple (1984) and, fargo movie (1996). No country for Old Men premiered in competition at the 2007 Cannes Film Festival on may. 4, it won four awards at the 80th Academy Awards, best Picture, best Director, best Supporting Actor (Bardem) and. 5, in addition, the film won three. British Academy film Awards (bafta) including Best Director, 6 and two golden Globes. 7 The American Film Institute listed it as an afi movie of the year, 8 and the national board of review selected the film as the best of 2007.